About Us
My History with Sacred Senses and Color
My work emerges from a lifelong relationship with color as both experience and intelligence. What began as intuitive perception gradually became a disciplined inquiry into how color interacts with the nervous system, perception, emotion, and embodied awareness.
Through years of study and lived practice, I have explored color not as decoration or symbolism, but as a functional frequency—one that regulates, activates, or integrates human experience depending on context. My understanding is informed by neurological principles of regulation and coherence, as well as by direct observation in bodies, spaces, and creative processes.
Alongside this, my training and experience in Reiki and color-based energy healing deepened my awareness of how subtle fields, attention, and intention interface with physiology. Working with clients and environments, I observed consistent patterns: certain colors support grounding and safety, others support clarity, vitality, or integration. These observations became the foundation for my Color Codex practice.
Sacred geometry has been another essential teacher. Through drawing, painting, and spatial work, I studied how form, proportion, and repetition affect perception and consciousness. Geometry offered structure where intuition needed grounding, and discipline where vision needed containment.
Over time, my role shifted naturally—from student to practitioner, and from practitioner to teacher. Teaching did not arise from authority, but from responsibility: the responsibility to articulate what I had tested, refined, and embodied. Today, my work bridges art, neuroscience-informed perception, energy practice, and spatial design, translating complex experience into practical systems that support human wellbeing.
I continue to learn through practice. Each painting, mural, drawing, interior, and teaching space remains part of the investigation—an ongoing dialogue between color, body, space, and awareness.
Studies about Color
My first artistic phase began with Primal, a collection created using primary colors, where I explored the full expressive range of yellow, green, blue, and red. Over the following decade, through sustained study and practice, that investigation expanded into an extended primary palette. By 2006, I had accumulated 78 distinct colors. During travels through Berlin, Southern France, Praha, Bodhanath, and Buenos Aires, my focus shifted toward prolonged observation of sacred geometry and symbolic forms—studying them as memory practices, as form and vibration, rather than images. This period fundamentally reshaped my artistic language and set the foundation for my later work.
If I do an art piece or design you a wall
I begin with a consultation to offer space to see if our work and intentions align.