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Sweet Words -Palabras Dulces (2024-present) operates as a social catalyst, an evolving participatory artwork that transforms how we use language in real time. Through a simple yet disruptive gesture, a flower placed in the mouth, the project interrupts habitual speech patterns and invites reflection on the emotional and social impact of our words.

Rooted in the Puerto Rican expression Palabras Dulces, the work expands into a collective practice of mindful communication, where participants contribute personal reflections, questions, and lived experiences. These voices become part of the artwork itself, extending its reach beyond the exhibition space into digital platforms and community dialogue.

Since its international debut at the Anima Mundi Art Show at Palazzo Albrizzi in Venice, Italy (2024), Sweet Words has continued to grow into a globally resonant project, engaging 49 people and expanding globally. 

By merging aesthetic experience with behavioral awareness, the work fosters more conscious, empathetic, and connected forms of human interaction.

During the months of August  2025 througout February 2026, I began a process to systematically unite specific geometries, forms and color systems. I placed people in front of them for a short period of time and investigated their experiences. The common themes from this investigation were words like life, refresh, new beginings.... In my studies and renderings, precision in the use of color and form is essential. In Requiem to Awaken the Death, this precision is directed toward those who remain, or those who must be rebuilt themselves because they feel a sense of death from within. The living who carry loss after cities have crumbled, after fire, after the disappearance of loved ones.

This work does not represent destruction; it constructs what comes after.

Through a deliberate organization of triangular planes, color fields, and symbolic geometry, the piece functions as a regulatory structure. Each element holds a role: the spiral initiates internal movement and processing; circular forms sustain continuity and memory; the central triangle anchors presence; and surrounding chromatic fields support integration across emotional states.

This is not decorative abstraction. It is a system, a meeting point between art and science, where form and color stabilize the body and hold grief without fragmentation.

For those who remain, who walk with absence in their chest, who carry fire, rubble, and names that no longer answer.

This work does not show what was lost. It builds what must hold us after.

Color becomes breath. Form becomes ground. A structure where grief can exist without breaking the body.

There is no resolution here. Only a quiet place of introspection, where the living can feel, and still, remain.

Strength (2026) explores how multiple color structures, held in equal format and alignment, create a unified and resilient whole. From this convergence, a golden six-pointed form emerges, stable, bright, and centered, outlined by a silver boundary that preserves its integrity. The structure reflects balance and regulation, where differences integrate rather than divide. As a Latina, I respond to narratives that assign value based on race or skin tone. This work offers another vision: a field of unity, dignity, and shared human strength where each individual is equally important to the whole.

This installation is a living field where color is experienced through the body. Seven illuminated cubes form a semi-circle in a precise sequence: reddish orange, salmon, golden yellow, grass green, teal, blue-violet, and magenta. In front of them, a curved bench completes the gesture without closing it, leaving an opening for you to enter, sit, and allow yourself to inhabit the color. LuxAnima Codex is my proposal of color as a language for human evolution: a tool for self-regulation, sensory activation, and the expansion of consciousness.

The Goddess Redefined III is dedicated to the virtues of women and is being prepared for its third show this November 2026. This exhibition is a call to action, to elevate the value of women, demand justice, and confront the ongoing reality of femicide and violence against women in Puerto Rico.

Violence against women is not only a personal or isolated issue; it is a societal failure that limits our collective future. When women are harmed, silenced, or erased, entire generations lose the opportunity to be nurtured, guided, and strengthened by their presence.

This exhibition asserts that women and matriarchs must be recognized, protected, and valued, not in theory, but in practice. Their dignity, contributions, and leadership are essential to a just and thriving society. The Goddess Redefined III stands as both an offering and a demand: that women be honored fully, and that their lives, voices, and futures be treated with the same respect, protection, and opportunity afforded to men.

2020 - During the COVID-19 pandemic, I received a City of Denver commission to create. I chose music and musicians. Dedicated to the power of music to unite us all throughout hardships.

This drapery of flowers, Florescence,  engages the symbolism of flowers as a framework for human expansion, marking moments of personal and collective blooming. Florescence is an overflow of growth, where beauty functions as a catalyst for alignment and connection, creating a space where the promise of renovation or transformation is felt and embodied.